‘Midnight Mass’ on Netflix gets insanely good reviews


Midnight Mass, one of Netflix’s latest horror series, has received incredibly good reviews online. The series was created by Mike Flanagan, who previously directed The haunting series (Hill House and Manor of Bly) for Netflix, as well as an adaptation of the Stephen King novel Gerald’s game. The show stars Zach Gilford (Good girls) and Kate Siegel (Silence) as young old loves who both returned to their fishing island from wayward lives on the mainland. Soon a new young priest (Hamish Linklater) arrives and the whole town is rushed down a dark and chaotic path.

Fans have raved about Midnight Mass on social media, but it turns out critics love it just as much, and more. Safer Rotten tomatoes, the show’s audience score sits at 73% Fee, while the Critics Score is at an admirable 90% Fee. “An ambitious meditation on grief and faith that is as beautiful as it is disturbing,” reads the Critics’ Consensus, “Midnight Mass The Slow Boil is a triumph over terror that will leave viewers shaking – and pondering – long after the credits roll. Scroll down to read some specific reviews and read what the critics say about this chilling scripture story.

“Cries” and “Blood”

Midnight Mass also justifies itself as a creature of multiple episodes “, writes the Wall Street newspaper critic John Anderson. “Not all series do. Despite allusions dropped early on, the supernatural elements of the story really don’t really erupt until about halfway through, when the seven-part series – in which Demonic Possession will pass off as salvation – a positions itself as something entirely different: a portrait of a community inhabited by real people with real problems and genuine faith. ”

Anderson added: “There will be screaming, yes. There will be blood. But not before. Midnight Mass seduced his audience to care about what’s going on. “

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“Imminent terror”

“As an allegory, Midnight Mass has nothing particularly revolutionary to say about religion as the opiate of the masses. Its good; the power here lies in the deeply human struggles faced by the faithful and the Thomas skeptics in Father Paul’s flock, ”says Kristen Baldwin of Weekly entertainment. “Beyond the fears, suspense and looming terror, Midnight Mass calls out a message of hope: sometimes it’s okay to be your own savior.”

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“Playing with horror conventions”

“Worn by a cast that includes Henry Thomas and Annabeth Gish, which sets Midnight Mass perhaps more than anything is the nature of his ideas and the extent to which Flanagan clearly wants to contemplate them while playing with the conventions of horror, seeking to engage audiences in unexpected ways, ” CNN Brian Lowry wrote.

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“Beautiful”

Midnight Mass is beautiful. Yes, it’s long and possibly one of Flanagan’s meanest works. But it’s also a deep reflection on what it means to struggle with faith, ”says Mary Beth McAndrews of Dread Central. “It takes a familiar path from previous religious horror films, but it stands out in a shocking rear half that refuses to fire a single punch. It’s an incredibly complex series that, in just seven episodes, creates a network. fascinating characters, personalities, and connections that make you feel like part of this small community. So pack those handkerchiefs and hope on the ferry, because it’s time to head to Crockett Island. “

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“To make your blood run cold”

“Flanagan has publicly stated that when this show was still just a script and a dream, it was the best thing he ever did,” writes Rolling stone critics David Fear. “Let’s press this motion: for those of us who admired his work but found it a bit lacking, this limited series both looks like the culmination of what he tried to do in the genre. and a massive upgrade. This gives new meaning to the sacramental statement that “whoever eats my flesh and drinks my blood has eternal life.” And it makes it clear that the evil that men do is evil, but the evil that the good and the pious do in the name of righteousness is even worse. beautiful. We have been truly blessed.

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“Small emotional weight”

“That’s the real power of Flanagan. He understands the horror genre, and he’s able to conjure up scary images (although I have to say Midnight Mass is never as scary as it could be). But that’s the emotional weight he’s really good at, ”said Slash movie writer Chris Evangelista.

He also added that “it ultimately works because Midnight Mass is so sincere. It burns energy and life. And the dead. Death is the consuming factor here; something to be feared and to be feared. Midnight Mass don’t just ask, “What happens when you die?” It is also asking, ‘What if you could live forever?’ “

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“Thoughtful, captivating and daring”

Midnight Mass eventually gives way to more familiar horror cases as the threat to the island increases, but, until then, the fears generally seem secondary to the contemplative back-and-forths and conflicts between ways of seeing the island. world ”, writes TV guides Keith Phipps. “The frenzied final act, while well staged and crafted to bring the story to a satisfying ending, ultimately proves to be less memorable than what came before it, but what comes before it is thoughtful, captivating and daring. for reasons beyond the fear of the things that will bump in the night. “

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